Alejandro Jodorowsky's daring and psychedelic films of the early 1970's — EL TOPO and THE HOLY MOUNTAIN — cemented his status as the Godfather of the Midnight Movie.

In 1974, he began work on his next film, possibly the most ambitious film ever attempted. Before STAR WARS era, Jodorowsky’s adaptation of Frank Herbert’s classic sci-fi novel DUNE was poised to change cinema forever.

“For me, Dune will be the coming of a god.

I wanted to make something sacred, free,

with new perspective. Open the mind!”

- Alejandro Jodorowsky

Alejandro's DUNE would star Brontis Jodorowsky, his own 12 year old son, alongside Orson Welles, Mick Jagger, David Carradine and even Salvador Dali. The team of assembled visual artists were some of the most provocative talents of the era, including H.R. Giger, Chris Foss, and Jean ‘Moebius’ Giraud. The groundbreaking special effects were under the control of Dan O'Bannon and the soundtrack would be created by Pink Floyd and the French prog-rock masters, Magma.

“In that time, I say, if I need to cut my arms

in order to make that picture, I will cut my arms!

I was even ready to die doing that.”

- Alejandro Jodorowsky

For two years, Jodo and his team of 'Spiritual Warriors' worked night and day on the massive task of creating the fabulous world of DUNE. In order to secure the necessary Hollywood funding, they created over 3,000 storyboards, numerous paintings, incredible costumes, and an outrageous, moving, and powerful screenplay.

In the words of Jodorowsky’s producer, Michel Seydoux, “It should have been enough. But it wasn’t.”

“I believe that people didn't do this film

in America because they were scared of him.

They were afraid of his imagination,

they were afraid of his mind

and they were afraid of what it was going to do to them."

- Nicolas Winding Refn

Through intimate and honest conversations with Jodorowsky, filmed over the span of three years, plus interviews with legends and luminaries including H.R. Giger (artist, ALIEN), Gary Kurtz (producer, STAR WARS) and Nicolas Winding Refn (director, DRIVE and THE NEON DEMON), as well as never-before-seen realizations of Jodo’s mind-blowing psychedelic space opera, director Pavich's film finally unearths the full saga of 'THE GREATEST MOVIE NEVER MADE'.

DIRECTOR -- Frank Pavich

PRODUCERS -- Frank Pavich, Stephen Scarlata, Travis Stevens

EXECUTIVE PRODUCER -- Donald Rosenfeld

CO-PRODUCER -- Michel Seydoux

EDITORS -- Alex Ricciardi, Paul Docherty

CINEMATOGRAPHER -- David Cavallo

COMPOSER -- Kurt Stenzel

ANIMATOR -- Syd Garon

PRODUCTION AUDIO SUPERVISOR -- Damon Cook

SOUND DESIGNER -- Jesse Flower-Ambroch